This led to a more flowing joining line and the incorporation of calligraphically-informed variants and ligatures. Instead of trying to follow local naskh preferences in styling the non-Arab glyphs, risking disharmony, the design evolved by reference to the wider shared heritage of thuluth inscriptional forms. From the outset the two requirements of screen text clarity and linguistic versatility determined the basis of the design.Ĭlarity is achieved with enlarged, open counters reminiscent of simplified Arabic types.īut to extend the core Arabic glyph set to comfortably support additional languages, more flexible and varied principles were needed. The design needed to be clean and contemporary, and also to be readable on screen in, for example, interactive PDF forms. The design brief was to create a type family that would meet the needs of modern business communications in all the languages supported by the Unicode Arabic character set: not just various forms of Arabic, but also Persian, Urdu, and many other central and south Asian languages written in the Arabic script and using distinctive letterforms and diacritics. The Adobe Arabic typefaces were commissioned to from Tiro Typeworks and designed by Tim Holloway in 2004-05.
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